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In the introduction by Roger Moss he relates that the idea for The Golden Age of Ironwork comes from a book by Philip Wallace published in 1930. He states, "But no Philadelphia overview like those for New York City and Richmond has appeared to replace Philip B. Wallace's narrowly-focused Colonial Ironwork in Old Philadelphia (New York, 1930). Now, happily, such a book exists and it is from the hand of an old friend and colleague, Henry Jonas Magaziner, FAIA, who has done far more than update Wallace. He has expanded the coverage well into the twentieth century and added much useful information on the architects, craftsmen, and the buildings of which the ironwork is such an important part. We are fortunate that Henry Magaziner selected as his collaborator the master photographer Robert D. Golding, whose splendid images appear here and in accompanying exhibition at The Athenæum of Philadelphia." He goes on to say, "The work of Yellin and other gifted ironsmiths is the subject of this study. It also includes the creations of some of the foundries, that produced cast iron façades and America's finest ornamental cast ironwork." The author explains the focus of the book in the following way; "While both cast and wrought architectural and ornamental ironwork are found everywhere, certain American cities have inherited especially great examples of them. Among those cities are Boston, MA; New York, Albany, and Troy, NY; Baltimore, MD; Richmond, VA; Charleston, SC; New Orleans, LA; Portland, OR; and Philadelphia, PA - cities on the rise during our Age of Iron." "Since Philadelphia is so rich in its collection of cast iron façades as well as being home to both the nation's foremost ornamental iron foundry and America's greatest wrought iron craftsman, I chose the Philadelphia area to illustrate Iron's Golden Age." Magaziner expands the reach of Wallace's work - he explains. "Besides providing information on the appropriateness of certain ironwork, this book also discusses and illustrates good and bad practice in the design and fabrication of architectural ironwork. In highlighting what is good ironwork from the past, it is hoped that this book will inspire better ironwork today." |
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